Secret de Venus Bath Oils

"Secret of Venus" was a bath oil, it was available in the following perfumes: Chinchilla, Zibeline, Antilope, Bambou, Cassandra, and Padisha.

Weil de Weil c1971

Weil De Weil was launched 1971.  Created by Jean Pierre Weil. Pronounced "Vel de Vel." It was the first new perfume by Weil in 27 years.

Antilope by Weil c1928

Antilope by Weil: launched in 1928. The perfume was trademarked in 1931 and was relaunched after WWII ended in 1945. Created by Claude Fraysse.

c1947 ad

Grigri by Weil c1943

Grigri by Weil: launched in 1943. The name pronounced "Gree Gree", is African in origin and means "magic charm" or "talisman." I believe that this perfume, with its exotic name and advertisements, was some sort of patriotic allusion to the French colonies in West Africa. Jean Patou, another French perfume manufacturer visited this theme with his perfume, Colony.

Carbonique Fizzing Cologne c1935

In 1935, Weil released it's Carbonique, an eau de cologne which was carbonated and sold in a cute seltzer style bottle, it was available in Bambou, Zibeline and Cassandra scents.

Stage, 1936:

"There's something pretty exhilarating about the new fizzing cologne of Parfums Weil called Carbonique. It comes in three odors: Cassandra, Bamboo, and Zibeline, and the seltzer-bottle container is returnable for credit on a new one."

Noir by Weil c1937

In 1937, the world was on the brink of significant upheaval. The late 1930s were marked by political tension, economic recovery from the Great Depression, and a cultural shift towards modernity and sophistication. Against this backdrop, Parfums Weil launched their new fragrance, "Noir," a creation by the esteemed perfumer Jacqueline Fraysse. This period saw a fascination with the mysterious and the elegant, qualities that "Noir" encapsulated perfectly.

The name "Noir" is a French word meaning "black." In the context of the late 1930s, black symbolized sophistication, mystery, and timeless elegance. Choosing the name "Noir" for a perfume was a deliberate move by Parfums Weil to evoke a sense of intrigue and allure. The word "Noir" carries with it connotations of the unknown, the seductive, and the dramatic, aligning perfectly with the era's fascination with film noir and the glamor of the silver screen.

A perfume named "Noir" would appeal to women who identified with these qualities. These were women who embraced the sophistication of eveningwear, the elegance of classic fashion, and the allure of mystery. The scent would likely evoke images of smoky jazz clubs, elegant soirées, and the enigmatic femme fatale. "Noir" was designed for the woman who wanted to feel captivating and irresistible, who appreciated the blend of darkness and light that characterized both the fragrance and the era.

The perfume itself, created by Jacqueline Fraysse, would have been a rich, complex scent that mirrored the layered emotions and experiences of the time. Women who wore "Noir" would respond to its depth and sophistication, finding in it a reflection of their own complexity and allure. The fragrance would evoke feelings of power, confidence, and seduction, making it an appropriate and desirable choice for the modern woman of the late 1930s.

Zibeline by Weil c1927

Zibeline by Parfums Weil was launched in 1927, during a transformative period known as the Roaring Twenties. This decade was marked by a sense of liberation and innovation following the devastation of World War I. Society experienced a cultural revolution, with women gaining greater independence and embracing new roles and freedoms. The fashion and beauty industries were also evolving, with daring styles and bold statements becoming the norm. The flapper culture epitomized this shift, with women donning shorter skirts, bobbed hair, and makeup that accentuated their newfound confidence. In this vibrant and rapidly changing era, Zibeline by Parfums Weil emerged as a symbol of sophistication and elegance.

Parfums Weil chose the name "Zibeline" to evoke the luxurious and refined qualities of the perfume. The French word "zibeline" translates to "sable" in English, referring to the sable fur, which is renowned for its exceptional softness and rich texture. Sable fur has historically been associated with opulence and high status, often worn by royalty and the elite. By naming the perfume Zibeline, Weil aimed to convey a sense of luxury, exclusivity, and timeless elegance. The choice of this name was a nod to the company's origins as a furrier, seamlessly blending their heritage with their foray into the world of perfumery.

Zibeline was an appropriate name for the perfume because it encapsulated the essence of both the fragrance and the brand. The perfume, much like the sable fur, was designed to be rich, deep, and sophisticated. It was meant to complement the luxurious furs that Weil was famous for, enhancing the overall sensory experience of the wearer. The fragrance itself, a floral chypre with balsamic undertones, mirrored the qualities of the sable fur—elegant, refined, and enduringly beautiful. The name Zibeline therefore perfectly captured the spirit of the perfume, aligning it with the luxury and sophistication that Parfums Weil represented.

1928 ad